Artistes
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https://www.instagram.com/reutherdetroit/ -
https://www.instagram.com/mandthespanks/
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https://www.instagram.com/mustbuildjacuzzi/
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The Krikke, Dr Weskes and Wizarizer fight back: they attack their upcoming midlife crisis with a Fender, a Gibson and a Gretsch. These fine gentlemen play seedy dirty hard punk surf psycho trash. A rough mix of love, adultery and deviant behaviour called The Fistulas. Transcending genres, a beat to dance to and sing along choruses. No bullshit straight forward rock and roll witht the biggest balls since The Stooges, Bad Brains en New Bomb Turks.
Things will never be the same.
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https://www.instagram.com/writehomeband/
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The air was still and days quiet in the Spring 2015.
Out of mutual need of outing some tunes and vocal chords, we began laying down what eventually became a band with songs.
We've documented 3 songs so far on tape and will keep doing so as long as there is something to document.
First 7' comes out October 2015 and there's already plans to track more in the near future. -
Oxford // Southampton based Progressive Metalcore.
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https://www.instagram.com/man_mountain/
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Line-up
AA Nemtheanga (Alan Averill) - Vocals
Ciarán MacUilliam - Guitar
Michael O'Floinn - Guitar
Pól MacAmlaigh - Bass
Simon O'Laoghaire - Drums -
Canadian/British Pop Punk from Vancouver BC.
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Celebrating their 10 year anniversary as a signed band, Birmingham-based punks, Templeton Pek are gearing up for the release of their 5th studio album, 'Watching The World Come Undone.'
Today, the trio have shared the second single, 'The Awakening', which draws influence from their anger at a shift in the worlds political landscape.
'We were going through the beginnings of the Brexit vote, as well as other world tensions escalating politically - 'The Awakening' encapsulates our feelings at the time.” says vocalist Neal Mitchell.
'It has been a wake-up call for a lot of people who are just sick of politicians and being lied to or ‘influenced’. As a by-product, it seems to have encouraged political engagement - People are now showing an interest, having their say and using their votes.'
'The Awakening' is out now through all usual digital platforms.
'Watching The World Come Undone' was produced by Davey Warsop, a fellow Birmingham native, now based in Long Beach. The album was brought to life at the famous Hurley Studios in Costa Mesa, California.
The band added “We really pushed ourselves on this record in terms of Songwriting, the material and our individual performances as a whole. Davey was instrumental in all of that right down from pre-production to pushing us in the studio, and I think that really shows in the album.”
A seasoned touring band, they have shared stages with The Offspring, Rise Against, Bad Religion, Sum 41, NOFX, Alkaline Trio, Lagwagon, Millencolin, Zebrahead, Ignite, Pennywise and many more touring mainland Europe and the UK.
Last year they joined the sold-out Punk Summer Nationals Tour in the UK alongside The Offspring and Bad Religion which culminated at Hammersmith Apollo to 6,500 people.'Watching The World Come Undone' will be released on all formats through Drakkar Records on the 23rd February 2018:
https://lnk.to/WatchingTheWorldComeUndone -
Conceived in the shadow of New York City late 2016, some 20 miles west of its lavish neon clutches, The Nectars climbed out of the tangled New Jersey suburbs and into the local alternative rock consciousness. Still under a year since inception, they’ve already mercilessly plundered local studios for free recording time, creating over 10 tracks, shooting three videos and turning down early record label interest. They do things their way.
The Nectars’ punk inflamed guitars, inventive harmonic motion, trashy beats and raw vocals lay a foundation influenced by EDM, funk and scorching live performance. Their approach harks back to the punk / pop scene New York circa 1975 but brings a modernity of sound and approach that only new millennial techno creatives can lay claim to.
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Halo Tora are a five piece union of progressive rock burgeoning from Glasgow, 17. A bond formed through years of writing and live shows supporting the likes of Jamie Lenman (Reuben) and My Vitriol as well as recently embarking on their own UK tour. The band repress nothing, by concentrating and coalescing their individual creative forces the band are able to subjugate generalised stylistic boundaries contrastively sitting somewhere between prog-rock, alt-rock and post rock. The result is a raw yet emotional album which is as dynamic as it is powerful.
Halo Tora have worked relentlessly and meticulously, carefully cultivating and refining the material which can be heard in their forthcoming debut album ‘OmniOne’. Throughout the album melodic dual vocals intertwine and coalesce with equally complimentary dark and atmospheric guitar exchanges, whilst chilling classical piano sections float underneath a frenetic back-bone of driving bass and thunderous beats, fills and crashing cymbals.
A wide range of influences can be heard throughout the album from tracks such as ‘Age of Terror’ and ‘Bones That Rock The Cradle’ which call to mind the post-rock meets progressive instrumentation and soft yet visceral vocals of artists such as Karnivool and Dredg, whereas other tracks such as ‘Permanent Revolution’ and ‘Ruins’ which blend structured atmospherics and power vocals conjure up memories of Oceansize. However, these influences never instigate notions of plagiarism, Halo Tora are able to take these moments and mould them in their own vision, which makes these compositions all the more
‘OmniOne’ is as diverse as it is accomplished and there is an invigorating confidence and honesty to it which has come through there perseverance and patience in ensuring that everything is crafted to perfection, as guitarist and lead vocalist Chris Alexander says, “This record really is a coming together of all our experiences and personalities and with that a license to explore places musically that we had never been as individuals. It was great to be able to throw ourselves at it and watch it take shape.”